proslack
Member
but numerous trials on different publications show that offset printing can't get anywhere close to the original color by the artist.
If this is the case, why are you asking about printing this with offset process. You might explain to the "artist" that translation to printing process will never look like the original. If the "artist" or you insist on offset printing, there are methods by which you might achieve a reasonable representation of the original. Perfect bound or saddle stitched might lead one to a different form of paper media, and open the door to specialty papers that have been suggested in the thread. Hexachrome, UV, 4color process using florescent cyan, or even a different Pantone blue as a substitute for cyan specially formulated for sequential tack. Pantone has come out with a new formula guide called the GOE system http://www.pantone.com/pages/pantone/pantone.aspx?ca=1&pg=20616. If you use a 5th color you might look into a 6th color as MetalFX stochastic dot to give the textured brush stroke in the "cobalt" background. Or double spot UV coat, the backround gloss and the subject matter a semi matte or satin using cyrel plates. There are a lot of variables depending on the project budget and equiptment available to you, as well as the "artists" expectation of the finished product. Good luck.